However, it’s the way these letters are delivered, the beauty of this Hebrides island that you’re trapped on, and the emotive soundtrack that make for one wonderful and heartfelt experience.Įach letter, voiced by Nigel Carrington, is so poetically poignant and said with such softness in places of calm, and power in moments of frustration that it’s hard to not believe that this isn’t a real person telling their true story.
It may sound simple, but that’s probably because it is. Through advancing on this journey about the island, players will begin to uncover the troubled past of the man and his wife.
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Telling a somewhat dark and touching tale of a man through a series of letters addressed to his wife in the form of prose, the player simply has to explore the island following paths carved into cliff edges, across sandy beaches, and into beautiful serene caves.
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Now in 2016, the game has finally made its way to PS4 and Xbox One in the form of a port with a couple of new additions thrown in for good measure. Following its success, developer The Chinese Room took it upon themselves to completely redevelop the title for a 2012 release.
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Going in completely unaware of what to expect, like many games in the narrative genre, is the best way to experience them. However, if you do want to know what you’re getting yourself in for, then keep on reading.ĭear Esther was originally a free-to-play mod for the Source game engine that released back in 2008. It may be an odd way to start a review, but this serves more as a warning that reading up on what to expect from Dear Esther will only take away from the beautiful and artistic experience that’s to be had in its short length. The folks at The Chinese Room (the British studio behind games like Dear Esther, Amnesia: A Machine for Pigs and Everybody's Gone to the Rapture, which recently released on PC), tweeted the following comment to Gamespot's report of the aforementioned interview.Dear Esther is a game that you shouldn’t read up on or have explained to you, but one you should experience for yourself completely blind. The Witcher 3 is a good example, but we have to keep on delivering. It's not like, 'We have to ship a game or we may not hit our financial goals.' It's, 'Here's GTA V, and by the way, it's the best game ever made.' We're all looking forward to Red Dead Redemption 2 because we know they'll show something and we'll be like, 'Oh my god.'īut we still have to get there. If we look at our role models, what Rockstar is doing is amazing. It has to reach the next quality bar, and I'm not talking just for us, but for the market. and right now we have a lot of credit, so we should use that and take the time to make Cyberpunk something really meaningful for the whole industry. In an interview with, CEO Marcin Iwinski said that they are looking at Rockstar for their role model and while they are on the right path with The Witcher III, they have to keep delivering with Cyberpunk 2077.įundamentally, The Witcher 3 has proven that. They previously revealed their goal of being one of the world's top three developers, while confirming that their next game, Cyberpunk 2077, will be even more ambitious than The Witcher III. Now, the folks at CDPR are aiming ever higher. A lot of that has to do with the stunning critics and fan reception of The Witcher III: Wild Hunt, which won over 251 Game of the Year Awards setting a new record. CD Projekt RED (CDPR for short) is one of the most appreciated game developers right now.
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